Table of Contents
What was Mao Trying to change in the Cultural revolution?
Launched by Mao Zedong, Chairman of the Chinese Communist Party (CCP) and founder of the People’s Republic of China (PRC), its stated goal was to preserve Chinese communism by purging remnants of capitalist and traditional elements from Chinese society, and to re-impose Mao Zedong Thought (known outside China as Maoism …
What are the four olds Mao tried to get rid of during the Cultural revolution in China?
The Four Olds were: Old Ideas, Old Culture, Old Habits, and Old Customs (Chinese: Jiù Sīxiǎng 旧思想, Jiù Wénhuà 旧文化, Jiù Fēngsú 旧风俗, and Jiù Xíguàn 旧习惯).
What does Mao Zedong mean in history?
Mao Zedong (December 26, 1893 – September 9, 1976), also known as Chairman Mao, was a Chinese communist revolutionary who was the founding father of the People’s Republic of China, which he ruled as the chairman of the Chinese Communist Party from the establishment of the PRC in 1949 until his death in 1976.
Why did people create monsters?
The market for monstrosity motivated the literal creation of monsters: ‘mermaids’ were assembled from pieces of fish, monkeys and other objects while ‘ray-dragons’ were created from carefully mutilated and dried rays. These objects could be sold to collectors or displayed in menageries and freak-shows.
What is the etymology of Monstrosity?
The etymology of monstrosity suggests the complex roles that monsters play within society. ‘Monster’ probably derives from the Latin, monstrare, meaning ‘to demonstrate’, and monere, ‘to warn’. Monsters, in essence, are demonstrative. They reveal, portend, show and make evident, often uncomfortably so.
What makes a character a monster in literature?
“What makes a character a monster”? An individual in a text could be considered a monster based on their actions. A “monster” would be considered a character who has committed cruel behaviors and actions, as well as demanding others to commit cruel actions for pleasure.
Was the trophy hunter a ‘monster’?
In the outrage that erupted when an American dentist killed a lion, the trophy hunter was branded a ‘monster’. Natalie Lawrence, a PhD candidate in the Department of History and Philosophy of Science, explores notions of the monstrous and how they tie into ideas about morality.