Sage-Tips

What type of microphone would we use to record a kick drum?

Just about any mic with attention to detail in the low end and mid range will do the trick, but some great choices for an inside microphone are the AKG D112, Shure Beta 52A, Shure Beta 91A, Sennheiser 421, EV RE20 and Audix D6.

What mic is best for snare drum?

The 5 Best Snare Drum Mics

• Neumann KM 184. The Neumann KM 184 has a high sound pressure level, allowing it to capture loud snare drums with ease.
• Beyerdynamic M 201 TG Hypercardioid Dynamic.
• Sennheiser MD 421-II Cardioid Dynamic Microphone.
• Telefunken M80.
• Shure SM57.

Can you use a condenser mic on a kick drum?

The basis of a good kick sound is a large dynamic microphone like the ATM250. We recommend that you position the mic inside the bass drum. This will capture the snap of the beat around the batter head while isolating the rest of the kit. Your best bet is a large diaphragm condenser microphone like an AT4047/SV.

Which type of these mics is most commonly used on snare drum because of its loud sound pressure level?

Cartridge Type: Dynamic mics are usually recommended for kick drums and snares because they can handle the high sound pressure levels, but condenser microphones can deliver more snap. You just have to make sure to choose a condenser that can withstand the high SPLs.

Why is SM57 good for snare?

When it comes to micing a snare drum, the SM57 has pretty much dominated for the best part of 50 years. The SM57 adds just the right amount of low-end weight, while also adding presence and ‘crack’ to the drum. For this reason, the 57 is a go-to mic and has featured on countless records throughout music’s history.

How can I make my kick drums sound better?

Here are 7 great tips on how to make your kick drum sound better.

1. PUSH THE MID FREQUENCIES. Contrarily to what most people think, the bass drum is not all about the low end.
2. USE SATURATION.
3. TRIGGERING.
4. PARALLEL COMPRESSION.
5. PARALLEL EQ.
6. MAKE SPACE FOR THE LOW END.
7. 808 KICK.

Where do you mic a hi-hat?

When miking the hi-hats, put the mic above the top cymbal, about 3″–4″ above, and about halfway between the center and the outer edge. If you get too close to the edge of the cymbals, you’ll end up with a cuppy sound that accents the opening and closing of the hats.